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STORYALITY Screenwriting Manual, by JT Velikovsky
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STORYALITY Screenwriting Manual - or, PLOTTING PROFITABLE PICTURES - A Screenwriting Manual based on The Common Patterns and Practises in the Top 20 RoI (Return on Investment) Films of the Past 70 Years - by JT Velikovsky. (Feature Films, Motion Pictures, Screenplays, Screenwriting).
- Sales Rank: #1135265 in eBooks
- Published on: 2013-05-23
- Released on: 2013-05-23
- Format: Kindle eBook
Most helpful customer reviews
3 of 3 people found the following review helpful.
An academic thesis
By Sprocket
This feels very like an academic thesis. Wonder what it all means? There is no central theme here at all. Can't pin this one down as useful in any material way. Fibonacci Return on Investment? How is that a Screenwriting Manual? For that matter how is a bunch of lists got anything to do with the Fibonacci Principle? I've seen far too many authors illustrate their assertions by associating them with Blockbuster films or novels - for example, Kal Bashir does it... and a dozen others. Weighty but implausible.
It feels a lot like the academic research notebook results of hours and hours trawling the internet and sitting in a well-stocked library with index cards all over the desk next to piles and piles of esoteric cobwebbed paperbacks as primary sources.
I wonder what the argument of the thesis is? It might have some gravitas - can't really tell from this though. It is certainly not a Screenwriting Manual.
I don't think the author had an audience in mind - it's more an, 'admire me, I'm an academic - I know everything' tome.
The Nautilus shell concept caught my eye - but it was't paid off. Claimed, yes - but not argued, proved or disproved. It seemed to be a diagram with random labels stuck on it by a thousand Chimpanzees.
It just left me bewildered.
If the author completely eliminated the Fibonacci idea and stuck with the financials and ROI he might just have a point - and a thesis, not a Screenwriting manual, but a thesis. At the moment it is an Honours level mish-mash purporting to be a PhD. Can't be anything else. Can't be.
2 of 2 people found the following review helpful.
Good section on screenplay design
By Sheila Deeth
J T Velikovsky’s screenwriting manual, Storyality, offers a fascinating time-line/page-count approach to designing a screenplay or story based on the Golden Ratio. I would love to have seen more analysis and explanation of this, particularly as the golden spiral is so frequently drawn in the book, and decorates its cover. Sadly, the golden ratio plays only a very small part in the book’s analyses, and its use in screenplay covers very few pages, despite its importance to mathematics and aesthetics.
The author frequently mentions “scientific and empirical” approaches in this book, but his explanation and use of the scientific method is scientifically flawed. His hypotheses and conclusions are deliberately never tested on random samples, with a claim that this would invalidate his empirical approach.
Assuming first-time percentage return-on-investment really is the measure of a movie-writer’s future success (another untested theory), the lists and analyses of top and bottom twenty movies in this book are certainly interesting, if occasionally quirky. For example, I’d disagree with the author’s conclusion that bad guys win in many of his listed movies, since they only win to the extent that doors are left open for sequels. That said, the lists are good, and the idea of analyzing movies is certainly interesting. I just wish the approach had been more genuinely scientific.
Storyality reads, in many parts, like a doctoral thesis in the making. It would certainly be intriguing to see if any of the author’s conclusions really do bear up to scientific testing. For myself though, I just want to know how the golden ratio plays out.
Disclosure: I was given a free ecopy and I offer my honest review.
3 of 4 people found the following review helpful.
Gateway to a Wealth of Knowledge
By Dave Oz
Storyality: Patterns and practices in profitable films over the past 70 years through ROI - Return on Investment.
Storyality represents a view of its author's extensive theoretical and practical experience in feature film script development across a wide range of projects and genres.
Beginning as part of a Doctoral thesis, Storyality is now a condensed but accessible book that can be read as is or used like a gateway, key or shoe horn into numerous online blogs where a wealth of further story-related information, facts, figures and observations can be found.
Storyality attempts to strip away the starry-eyed, dreamy aspects often associated with the film industry (and creativity in general) to reveal the patterns and common denominators contained within those films that have historically returned high ROI.
Why do certain themes and genres have more success than others?
Why do the majority of produced films fail to make a successful ROI?
What are the most successful ROI films?
What do the successful ROI films have in common?
What are the most unsuccessful ROI films?
How do memes, word of mouth (and now, mouse) and film-centric analytics fit into the picture?
Storyality is not for the TV Guide crowd. But neither is it exclusively for film industry buffs, professionals, academics or students of the subject.
Amongst a variety of facts and figures are some interesting trivia and remarks (a few likely to be considered controversial) regarding films you may have seen or at least heard of.
The danger in reducing a script or film to a formula or process is that we are left with a soul-less x-branded product devoid of individuality or passion, one that follows the beats and joins the dots. But when any new product is released (and a film is but a product, albeit a dynamic one) numbers are first crunched, data regarding what has worked before is called upon, risk analyses are conducted, forecasts are made and markets are tested.
What the author is showing is that he can wear both Writer and Producer hats. The writer uses imagination, creativity and passion to invent the script; the Producer (and perhaps backers, Bankers and Executives) need to know the script has a good chance of working outside the writer's head, preferably appealing to as many people within given target audiences as possible.
Many have endeavored to pin down formulas for success and creativity; to uncover the magic pudding ingredient that can be replicated again and again. None such exist, of course. Success generally comes from study, hard work, good luck and being smart.
However, understanding and implementing the concepts contained within Storyality, may just increase the chances of successful Return on Investment as it applies to film.
Only time will tell.
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